A casa dos Buendía em Cem Anos de Solidão de Gabriel García Márquez: uma interpretação fenomenológica

Abstract

The literature is a re(creation) involves the subjectivity of his author and of his reader. It‘s art, being thus human representation, reflections source and affects. This work demand to analyze the Buendía family house of romance One Hundred Years of Loneliness of Colombian author Gabriel García Marquez, published in the first time in Buenos Aires- Argentina, in 1967. The striking narrative of literary work in study can be seen as being a expression capable of awakening several and particularized senses. The intention of our job is to search trough an interdisciplinary perspective of phenomenological character supporting us in the humanistic cultural geography, to evidence the multiple possibilities of understanding and discussions of the work in study, highlighting the role played by the house main family in the work. The search is based on the idea that the literary text together with its reader makes up a phenomenon, given the subjectivity of the same and its several possible interpretations, so we will stand on phenomenology to accomplish the reviews. We defend that both, Macondo- village where develops the plot of romance - and the Buendías house‘s- main narrative center, are places-literary-symbolics in work One Hundred Years of Loneliness, of García Márquez, from phenomenology conception. For the reach this objective, we composed a interdisciplinar methodology based on a work of literature review built under the phenomenological method and signed in the humanistic cultural geography.